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ФУНКЦИИ ТЕАТРАЛЬНОГО КОДА В ПРОЗЕ П. РОМАНОВА
ОСКОЛКИ «КРИВОГО ЗЕРКАЛА»: ТРАНСФОРМАЦИЯ ПАРОДИЙНЫХ ПРИЕМОВ В ЗРЕЛЫХ ПЬЕСАХ В. НАБОКОВА
Semiotic space of the frontier «city N» using the example of Samara of the provincial period (1851–1917)
Kobozeva Z.M., Kazantseva S.G.
«ПРОВИНЦИАЛЬНЫЙ ТЕКСТ» Н.Г. ГАРИНА-МИХАЙЛОВСКОГО (ОЧЕРКИ «В СУТОЛОКЕ ПРОВИНЦИАЛЬНОЙ ЖИЗНИ»)
R.M. AKULSHIN AS A PLAYWRIGHT (HISTORY OF THEATRE EXPERIENCE OF YOUNG WRITER-«VILLAGER»)
Kositsin A.A.
PERFORMANCE AS TRANSGRESSION
Ryabova O.V.
RUSSIAN «NEW DRAMA» AXIOLOGICAL EXPERIMENT AT THE TURN OF THE XX–XXI CENTURY
Kislova L.S., Dracheva S.O.
THE PHENOMENON OF POLISH DRAMA IN CONTEMPORARY THEATRE
Ryabova O.V.
«ZOYA’S STANDING» AND «NUREMBERG, PRISONER’S DOCK». THE PLAYWRIGHT’S WORK ON THE PLAY: FROM PUBLISHING THEM IN THE MAGAZINE «CONTEMPORARY PLAYWRIGHTS» AND UP TO THE FIRST NIGHT IN THE THEATRE AND FIRST RUN OF THE FILM
Ignashov A.V.
«VICTORY OVER THE SUN» BY A. KRUCHONYKH AND TRADITIONS OF RUSSIAN DRAMA AND THEATRICAL PARODY
Shevchenko E.S.
ЗАУМНЫЙ ВЕРТЕП ИЛЬИ ЗДАНЕВИЧА (О ПОЭТИКЕ ДРАМАТИЧЕСКОГО ЦИКЛА «АСЛААБЛИЧЬЯ»)
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