Vol 23, No 1.2 (2017)

Full Issue

Articles
«GALLANT DIALOGUE» AS AUTHOR’S STRATEGY IN CATHERINE II’S COMEDIES
Akimova T.I.
Abstract

In the article comedy as one of the leading genres of classical enlightenment-absolutist system of Catherine II is viewed. Special giving by the empress of educational purpose of literature was very important for the establishment, on the one hand, of intimate and
friendly, and on the other hand – of a theatrical way of «dialogue»
with the viewer. A basis of comedy action was in plays of the monarchies misunderstanding by her citizens of rules of secular
behavior which brought in the comedy final to the statement of sense of any proverb training noble young people to mutual respect science at recognition of personal and aristocratic advantage. «Gallant dialogue» assisted removal in secular society of the conflict and search of a compromise. Therefore the empress chooses for herself an author’s mask of the servant to show theatrical effect of gallant behavior: courtesy and rationality in behavior of the nobleman will be read by an environment more, than appearance or boasting of the young hero. Thus, the system of characters is built by the author not only on a social feature, but also on moral ethical one.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):9-13
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MEDIA-POETICS OF NEWS STORIES IN THE ONLINE MEDIA: AXIOLOGICAL APPROACH
Arzhanov A.P.
Abstract

The article discusses the process of creating a media story in information online media, which is based on a functional basis for news stories, was formed by the gradual change in the technical and functional and axiological data of the source text.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):14-18
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VALUE AS MEMORY AND MEMORY AS VALUE: SUBSTANTIVE ASPECT OF AUTOBIOGRAPHICAL TEXTS IN THE CONTEXT OF MODERN PSYCHOLOGICAL RESEARCH
Biryukova E.E.
Abstract

A content of an autobiographical text can be considered from the viewpoint of narrative psychology. In this case, the content of the text and its elements act as agents of socialization, defining scenarios of life. The contents of autonarrative is preconditioned by the specificity of autobiographical memory, which is characterized by selectivity and mobility. The autobiographical work addresses to the field, where valuable can be updated as memory and then embodied in the form of precedent texts, forming the value imperative.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):19-22
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HERMETIC RATIONALISM AS A WAY OF LIFE (F.M. DOSTOEVSKY «THE BROTHERS KARAMAZOV», B.L. PASTERNAK «DOCTOR ZHIVAGO»)
Bondarchuk E.M.
Abstract

The article is devoted to the problem of rationalist approach to finding the meaning of life. The author compares the philosophical positions of the main rationalist thinkers in the novels «The Brothers Karamazov» by F.M. Dostoevsky, «Doctor Zhivago» by B.L. Pasternak. The way of life, subordinated to the «logic of mind», is defined as «hermetic».

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):23-27
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EXPERIENCE OF «CROSSING» LITERATURE AND CINEMATOGRAPHY. «IPRIT» BY VIKTOR SHKLOVSKIY AND VSEVOLOD IVANOV AS THE SYMBIOTIC ENTIRE
Vasiyarova O.A.
Abstract

In the article the issues of interrelation of literature and cinema to which a lot of attention in the 20-ies of the 20th century was payed are investigated. The attempt of Viktor Shklovskiy to use the cinematography for modernization of literary creation is of great interest in the context of this problematics.
In 1925 Viktor Shklovskiy together with Vsevolod Ivanov published the adventure story «Iprit» which was not a success at that moment. In spite of it the novel attracted the attention of present-day explorers who wished to enrich literature using innovations of cinematography.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):28-31
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THEATER CRITIC IN MODERN MASS MEDIA AS MEANS OF FORMATION OF VALUES
Vyrovtseva E.V.
Abstract

Changing of the media system has led to the transformation of its components, including the theater critic, which is based on the value perceptions. At the same time, theater critics is actively involved in the formation of a new system of values, and clear differentiation process – selection of axiological subsystems.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):32-36
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CATEGORY OF MODALITY: AUTHOR AND HERO IN NABOKOV’S STORYBOOK «THE EYE»
Garbuzinskaya Y.R.
Abstract

The category of modality is used for the analysis of stories of Nabokov from the storybook «The Eye». The concept of nonclassical narrative (M. Dymarskii) and change of narrative modality (G. Genette) in the stories by Nabokov. With the help of modality types allocated by M. Epstein – valid / invalid, possible /impossible, random / required – are opposed to the possibility offered by the author, and the choice that makes the hero. Preference by the hero of negative pole of modality leads to the convergence of views of the author and character and vice versa.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):37-41
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«THE BOOK OF JOURNEYS THROUGH THE EMPIRE» BY ANDREI BITOV IN THE SYSTEM OF VALUE COORDINATES
Golubkov S.A.
Abstract

The article discusses the book by A. Bitov as narrative which reflects the author’s reflection on the seen spaces of former Soviet Empire, social relations, creative experience of friends, fates of modern civilization. Contacts with creative people are perceived by the author as philosophically meaningful and ethical lessons. Permanent fixation of attention on these lessons provides all the product of its conceptual integrity.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):42-46
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V. KHLEBNIKOV IN A.L. KHVOSTENKO’S CREATIVITY: ON THE STATEMENT OF THE QUESTION
Drobinin G.D.
Abstract

In this article the first results of comparison of poetics of V. Khlebnikov and A.L. Khvostenko are presented. The cases of a direct mention of the name of V. Khlebnikov in the poetic texts of A.L. Khvostenko are considered, and also cases of structural overlapping between the poetics of the authors are analyzed on the example of several poems. In conclusion of the article the reasons of the appeal of A.L. Khvostenko to the poetics of V. Khlebnikov are considered.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):47-52
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GAME AS AXIOLOGICAL EXPERIENCE OF THE WORLD (GAMING STRATEGIES OF I. BABEL)
Zharnikov G.S.
Abstract

The article deals with the game nature of everyday behavioral practices of Isaac Babel. We identified constitutive features of the writer’s attitude which are directly related to the game and fun («fun deception», mask, grotesque and mystification). These structures indicate the extreme closeness of Babel’s attitude to the people’s festive life. This gives reason to believe that the nature of the Babel’s gift was «in harmony with» the deep gaming processes, which was actualized in the Revolution and the Civil War. The article creates a platform for understanding the essence of the gaming aspect in the «Red Cavalry».

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):53-57
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AXIOLOGY OF SPACE IN MODERN RUSSIAN DRAMA
Zhurcheva O.V.
Abstract

The article is devoted to urban projects «Live and die in Togliatti» and «Adin», as well as to the plays of U. Gytsareva «Xač» and N. Rudkovsky «Great resettlement of freaks». These works are representative examples of solving problems of social, national and ethical identity of the person in his / someone else’s space in the «new drama» of the turn of the XX–XXI centuries.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):58-62
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ATTRACTOR AND ATTRACTIVENESS AS COMPONENTS OF POETICS OF SMALL DRAMA OF A.P. CHEKHOV
Ivanova V.N.
Abstract

In the article Chekhov’s small dramatic forms, both dramatic and comic pathos are analyzed. It is assumed that Chekhov’s world modeling principles partly start working in a small drama. These principles are distinctive for the dramatic heritage of the author on the whole.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):63-67
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«ZOYA’S STANDING» AND «NUREMBERG, PRISONER’S DOCK». THE PLAYWRIGHT’S WORK ON THE PLAY: FROM PUBLISHING THEM IN THE MAGAZINE «CONTEMPORARY PLAYWRIGHTS» AND UP TO THE FIRST NIGHT IN THE THEATRE AND FIRST RUN OF THE FILM
Ignashov A.V.
Abstract

The article is devoted to the work of the playwright in the context of understanding the discourse from the moment of the magazine publication until theater and cinema production.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):68-71
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RUSSIAN «NEW DRAMA» AXIOLOGICAL EXPERIMENT AT THE TURN OF THE XX–XXI CENTURY
Kislova L.S., Dracheva S.O.
Abstract

The research focuses on the problem of ethical choices in Russian “new drama” at the turn of the XX–XXI century. Nowadays «new drama» is perceived as an axiological experiment. It has adopted the main principle of the “Theatre of Cruelty” by Antonin Artaud; it is shocking and traumatizing the reader/viewer. A hero of the “new drama” is an inadequate marginal. He is suffering, aggressive, and being “on the edge”. He seems to be tested for human viability. Thus, the ethical values are the central problem
in modern drama. The playwrights’ texts are performative. It means, that they do not reflect a reality, which exists, but they model a new one, in which the characters would choose between cruelty and mercy, love and hatred, truth and falsehood, slavery and freedom.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):72-76
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POETICS OF THE NOVEL «HUNTING» BY B.A. SADOVSKOY: ON FOLKLORE STYLIZATION
Kislova N.N.
Abstract

The article is devoted to the artistic features of the novel «Hunting» by B.A. Sadovskoy, due to the folk styling and the author appealing to mythological subjects. In the field of the view of the researcher is the novel, its narrative structure, storyline of one of the characters and the analysis of false stories. The folk element helps the writer to immerse the reader in the era, to give insight into the outlook of the XIX century, living in anticipation of crucial personal and historical events (the war). People’s view on history allows B.A. Sadovskoy to show how life turns into existence.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):77-80
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WHY DOESN’T THE ART EDUCATE TODAY (OR ON THE LAWS OF PERCEPTION, WHICH HAVEN’T BEEN CANCELLED)
Kogan I.I.
Abstract

The article deals with the question about how the art can bring up. On the material of studies in which senior pupils analyze unfamiliar poetic texts by A. Blok, S. Yesenin and Vl. Mayakovsky, the article raises the problem of the adequacy of the works of school program of literature to the age-related psychology of perception of a literary text.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):81-85
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MYTHOLOGEME «SUN» IN M. GORKY’S PLAY «CHILDREN OF THE SUN»
Kozlova Y.A.
Abstract

At the core of the article is the review of functioning of mythologeme
«the Sun» in the play by M. Gorky «Children of the Sun». It is established that cultural and symbolic image of the sun plays a significant role in the drama of Maxim Gorky. Writer actively uses the mythologeme of the «sun», stresses, forces us to pay attention to it. The image of the sun organizes chronotopic system, interacts with the animal motive, organizes vertical
distribution of personalities, brighter «draws» the system of images, helps us to understand and analyze a play by Maxim Gorky on a completely new level.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):86-90
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R.M. AKULSHIN AS A PLAYWRIGHT (HISTORY OF THEATRE EXPERIENCE OF YOUNG WRITER-«VILLAGER»)
Kositsin A.A.
Abstract

This article considers the reaction of critics and authorities to the play «Window to the village» which was staged by Vs. Meyerhold on the literary basis of R.M. Akulshin. This play was staged in the State Theater named for Meyerhold to the anniversary of the October Revolution in 1927. This history shows a hard experience of young writer who gave up writing plays.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):91-95
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LEXICAL MEANS OF WORLD MODELING IN THE POST-TRUTH DISCOURSE
Labutina V.V.
Abstract

The article is devoted to the methods of rhetorical art of the «selection of words» used in the variability of world modeling, in particular, the contextual content of negative connotations of the concept of «tolerance» in modern media discourse is viewed.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):96-100
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«PERHAPS HOWEVER, TO BE TRUTHFUL, HE WOULD HAVE FOUND A NORMAL FATE?»: SPECIFIC CHARACTER OF INTERPRETATION OF A CLASSIC WRITER`S IMAGE IN THE TEXTS OF RUSSIAN AUTHORS
Maslenkova N.A., Sergeeva E.N.
Abstract

The article studies works in the alternate history genre. The plot of these books is «the fork of fate» of classic-authors who avoid death and as the result historic occasions move in new directions. Researchers prove that the figure of the author in the national culture is inextricably connected with discourse of power that testifies about the stereotype relevance of the central part of literature.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):101-105
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«MESS-MEND» BY MARIETTA SHAGINYAN AS «CINEMATIC» NOVEL
Naprienko A.V.
Abstract

The article focuses on the relationship between cinema and literature in the 1920-ies using the example of the cyclus of novels «Mess-Mend» by Marietta Shaginyan.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):106-110
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POETRY OF «EPISTEMOLOGICAL EXPERIMENT» AS A NEW TYPE OF POISIS IN D. PRIGOV’S WORKS
Nechaeva E.A.
Abstract

The article is dedicated to D. Prigov’s works as a type of Poisis which is substantiated not by «metaphysical experience» of the transcendental subject, but by the «epistemological experience», as a result of representation of epistemological procedures and manipulation of experience of an «alter ego». An isomorphism between D. Prigov and F. Pessoa’s theories was shown, it allows us to consider the subject of the text as a metasubject which performs the epistemological game with the experience of an «alter ego».

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):111-115
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TRAGEDY OF V. EROFEEV «FANNY KAPLAN» AS OBLATION
Perepelkin M.A., Kobzar U.A.
Abstract

In the article the analysis of narrative and semantic structure of the uncompleted tragedy of V. Erofeev «Fanny Kaplan» is made. The tragedy is interpreted as sacrificing the world taken in by the chaos.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):116-120
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FILMING OF THE NOVEL «GREEN VAN» WHICH WAS WRITTEN BY A. KOZACHINSKY
Pozdnyakov K.S.
Abstract

The novel «Green Van» by A. Kozachinsky was filmed by Soviet cinematographists twice – in 1959 and in 1983. The article is dedicated to the difference of films with a text and definition of which filming to consider more close to the author’s intention of «Green Van».

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):121-125
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AXIOLOGICAL CODE OF A. RADISHCHEV’S «LIFE OF FEDOR VASILIEVICH USHAKOV» RHETORICAL STORY
Rastyagaev A.V., Slozhenikina Y.V.
Abstract

The paper studies «Life of F.V. Ushakov» by A. Radishchev. The novel is a canonical transformation of hagiographic genre. It consists of two stories: the rhetorical and biographical. The consequence of duality becomes a stylistic heterogeneity of the narrative text. The object of the paper is the story of rhetorical language features. The plot is connected with reflections of A. Radishchev, his thoughts about the relationship of power and rights, the role of the individual in society, partnership, friendship,
love, the idea of the Enlightenment. The language features are targeting narrative, associative semantic and sensory field, local and temporal lexical classifiers, complex syntactic whole, aphorisms, lexical repetition, antithesis, paraphrases.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):126-129
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«ANOTHER SYMBOLISM» IN DRAMA BY L. ANDREEV «KING HUNGER»
Savelieva V.V.
Abstract

In the article on the example of the play by L. Andreev «King Hunger» complex symbolization of the text on such artistic levels as conflict and plot construction, characters’ construction, spatio–temporal organization, speech organization, paratext (in particular – tsvetopis, light painting, zvukopis in remarks), and header complex aimed at the expression of author’s copyright and the expression of author’s consciousness is investigated.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):130-134
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VISUALIZATION IN THE MEDIA: FORCED NECESSITY OR OBJECTIVE REALITY?
Simakova S.I.
Abstract

Having formulated the goal of the study as the study of features of modern media consumption, the author draws attention to such phenomenon as the mosaic thinking, justifies its impact on the
inevitability of an intensification of the process of visualization of
the content in modern means of mass communication and consistently leads the reader to the conclusion that the rendering of journalistic content in the media is the most effective way of interaction with modern consumer of media products.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):135-139
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WORD AND TEXT IN THE PLAY AND IN ITS LITERARY SOURCE
Torunova G.M.
Abstract

The problem of convergence and confrontation of text and stage dramatic text is one of the most important and relevant in the perception and analysis of the performance.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):140-144
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THEATRICAL CODE IN THE FILM ADAPTATION OF A.P. CHEKHOV’S PLAY «IVANOV»
Tuzova E.N.
Abstract

«Ivanov» – a film by V. Dubrovitsky (2011) is based on the same play by A.P. Chekhov. During the «translation» of the play on the language of cinema the theatrical code is used, herewith the theatrical beginning is available in two versions: theatre as space and theater as a behavioral strategy. The authors of the film very carefully studied previous successful Chechov’s film adaptations, and there are references to the films by I. Kheifits, N. Mikhalkov, S. Ovcharov.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):145-149
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HOUSE AS VALUE IN THE RUSSIAN DRAMA OF THE FIRST HALF OF THE XX CENTURY
Tyutelova L.G.
Abstract

Through the observation of dramatic space transformation the article considers how Soviet authors of the first half of the XX century solve the problem of the relationship between the man and the world. It is proved that the development of Soviet drama is primarily determined by Gorky tradition characterized by the study of the laws of social life and human social behavior. The evolution of the image of the house, as well as the evolution of dramatic character, indicates a new value system created by the Soviet drama of the first half of the XX century. House loses its
individual features and «opens» to the world.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):150-154
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PLAY AND FILM: FINDINGS AND LOSSES (ON THE FILM VERSION OF THE PLAY BY A.P. CHEKHOV «THE SEAGULL»)
Fokeev A.I.
Abstract

The article deals with two screen versions of A. Chekhov’s play «The Seagull»: Yu. Karasik’s film (Mosfilm, 1970) and M. Terekhova’s film (M-film, 2005). The author proves that Yu. Karasik changed the order of some scenes, shortened and eliminated some dialogues and monologues.
M. Terekhova preserved A. Chekhov’s text in full. It gave her the opportunity to make a two-hour voluminous film. But speaking about the films’ success, it should be noted that Yu. Karasik could portray A. Chekhov’s play with the minimum of distortions, while M. Terekhova’s blind acceptance of the play didn’t help her to make a successful version.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):155-159
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«THEATRICAL DIALOGUE» AS A METHOD OF CREATION OF THE COMPETENCES OF SPECTATORS (COMPREHENSION OF THE CHILDREN’S THEATRICAL PERCEPTION)
Shvalova S.A.
Abstract

The article deals with different forms of «theatrical dialogue» based on the written works and on the class discussions of senior pupils after visiting a theatrical performance. The upbringing of spectators and the creation of the competences of spectators is represented as a process.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):160-164
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THEATRICAL AXIOLOGY BY NIKOLAY EVREINOV
Shevchenko E.S.
Abstract

The present article studies the axiological aspects of the category of theatricality offered by N. Evreinov. It also traces the evolution of theatricality notion in his theoretical works and his director’s practices as well as the shift of the axiological dominant component of theatricality from «aestheticism» to «pre-aestheticism». The paper also studies N. Evreinov’s outstanding prognostic abilities which made his theatrical theory significant in various spheres of modern life including theatrical practices outside theatre.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):165-169
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«EUCHARISTIC COMPLEX» AS THE MEANING, VALUE AND CODE (BASED ON THE MATERIAL OF S.N. DURYLIN’S WORKS)
Shchepalina E.A.
Abstract

The article deals with the mentally-specific category – «eucharistic complex» of Russian literature, which is explored by the axiological approach. The article shows how the «poetics of thanksgiving» raises the meanings and values that give to the word and text ontological status. The conclusion is made that the special artistic ontology of S.N. Durylin is born through an artistic codification and presentation of the «eucharistic complex». The artistic ontology is realized in the works of the writer.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):170-174
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MEDIA’S STRUGGLE IN THE 1870-IES AS A MANIFESTATION OF THE COLLAPSE OF VALUE OF RUSSIAN SOCIETY
Shcherbakova G.I.
Abstract

The article investigates the journal polemics of the 1870-ies on the state of modern literature and journalism, on restructuring the system of spiritual and aesthetic values in post-reform Russia, on the rise of ideological struggle between the media, competition between them, an expansion of discussion: from the ways of development of Russia up to ethical standards of journalistic work.

Vestnik of Samara University. History, pedagogics, philology. 2017;23(1.2):175-179
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