Vol 23, No 3 (2017)

The article is devoted to the biography of his serene Highness Prince N.I. Saltykov (1736–1816), the key milestones of his 68 years of service to the Russian Imperial Household. He was a contemporary of seven rulers of the Russian Empire, and he served five of them. He didn’t fall, and his career had developed the most successful way. Many contemporaries gave negative characteristics to Saltykov, but he was awarded many honors and awards, using the great trust of the members of.the Imperial family. The author tries to determine how valid are conclusions about him by his contemporaries and analyzes various sources (letters, notes, diaries of his contemporaries), attracts with archival material.

The article analyzes the complex of personal documents of A.D. Sverbeev, on the basis of which a detailed description of his personality is given, new biographical data are presented. The diaries and memoirs of the Samara governor contain the richest material both in the history of the Russian Empire and in the history of the administrative and socio-economic development of the Samara province of the late 19th century.

The article specified the essential characteristics of professional competences of bachelors of tourism in the context of subject and professional expertise, including socio-personal and cultural, scientific and instrumental competencies. The technique of solving the problem of formation of professional competence of bachelors of tourism at the sports University on the basis of a holistic educational process from the positions of pedagogical innovation through the introduction of virtual models technologies when organizing and conducting on-site (interactive) practical classes, educational and industrial practices, in order to form professional competence at different stages and levels of vocational and practical training is substantiated.

The article considers the problem of astronomy study in the modern Russia school. Arguments in favor of the need for the astronomy return in the content of general education, as it seriously affects on the scientific outlook formation of senior pupils are presented. Didactic and pedagogical tools that promote motivation to the astronomy study are proposed.

The subject about interaction of literature and cinematography in the 1920-ies is touched in the article. Modern-day opinion about dismissive attitude of the vanguard cinematography to Russian classics needs detailing and review. One of the proofs of two kinds of Art interacting is Tynyanov’s participating in cinematization of «The Overcoat» by Gogol as a script writer. The peculiarity of Tynyanov’s approach was about assembling plenty plots of Russian classical prose. «Movie-essay of Gogol’s style» was a pathbreaking extempore themed on numerous works of Gogol, Tolstoy, Pushkin and Dostoyevskiy. Thus, literature text was completely changed with keeping different origin motives and artistic image. In the article we can see examination and conclusion of how cinematography and poetry reunited in the screenplay of Yuriy Tynyanov. Also, the role of intertextuality in the film artistic integrity is considered.

The determination of the language of science as a separate functional style that is finely tuned to the scientific text genre peculiarities (linguistic stylistic differentiation), data transmittal form (oral or written), primariness or sencondariness of information nature and some other factors is a topical issue of current linguistics and such its branches as comparative analysis of scientific discourse functioning in different languages.

The article analyzes the role of the modern documentary-fictional radio programs Feature in the genre system in Germany. As a description method serves the functional-objective approach for definition and differentiation of media genres. The article answers the questions about a goal of journalistic impact typical for Feature, objective strategies and an interactive specialty of formal, compositional and acoustic elements accessible for this genre. The distinct aspect is represented by the categories of documentary and fiction which are central for determination of the genre status of Radiofeature.