INFLUENCE OF CREATIVE WORK OF FRENCH CHOREOGRAPHER MORIS BEZHAR ON SOVIET CHOREOGRAPHERS OF 1960–80-IES

Abstract

This article identifies the characteristics of creative handwriting of French choreographer Maurice Bejart, affecting the generation of Soviet choreographers of 1960–80-ies

About the authors

R. G. Volodchenkov

Author for correspondence.
Email: morenov.sv@ssau.ru
ORCID iD: 0000-0002-1825-0097

References

  1. Lvov-Anokhin B.A «Ballet of the XX century» (notes on a tour of Maurice Bejart troupe in Moscow). Muzyka i khoreografiia sovremennogo baleta: sb. st. Vyp. 3. [Music and choreography of contemporary ballet: collection of articles. Issue 3]. L.: Music, 1979, p. 161. [in Russian]
  2. Stupnikov I.V, Degen A.B. 120 ballet libretto. SPb.: Kompozitor, 2008, p. 65. [in Russian]
  3. Churko Y. Valentin Yelizariev. People’s Artist of the USSR: Booklet. Minsk, 1987, p. 3. [in Russian]
  4. Lazanchina A. Ballets of A. Eshpai in choreographic version of I.A. Chernyshev on the stage of Kuibyshev Opera and Ballet Theatre. V.N Batsun (ed.). Vestnik SGPU [Vestnik of SSPU], 2008, Issue 4, pp. 87–100. [in Russian]
  5. Results, difficulties, designs. Sovetskaia muzyka [Soviet music], 1981, no. 4, pp. 48–52. [in Russian]

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