“Us them”: trends in the development of Russian and Belarusian dramaturgy of the last third of the XX ― beginning of the XXI century


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Abstract

The article focuses on the features of the dramatic process in Belarus and Russia, studied in a comparative aspect of the Soviet (1970s-1980s) and post-Soviet (1990s – 2010s) periods. Our goal is to identify common and different in the dramaturgical systems of related literatures through the prism of the
key topos of the artistic structure of the works of Russian and Belarusian authors – hero, conflict, chronotope. Methods of comparative studies (comparative analysis of the literary process), as well as historical and literary methods are used to implement the tasks set. The material includes the works of more than 200 Belarusian and Russian playwrights. Russian literature (A. Vampilov, L. Petrushevskaya, N. Kolyada) and Belarusian literature (A. Makayonok, E. Popova, A. Dudarev), separate directions (“new wave” of Russian dramaturgy of the 1970s-1980s), stages of dramaturgical life (“new drama” of the 1990s-2010s), aesthetically controversial development intentions (dramaturgical practice of “netuteyshy” in Belarusian post-Soviet dramaturgy) are given special attention. The scientific novelty of the research is predetermined by the fact that for the first time in literary studies, a comparative analysis of the dynamics of the dramatic process in Belarus and Russia has been undertaken for such a long time – the last four decades.

About the authors

Elena M. Lepisheva

Belarusian State University

Author for correspondence.
Email: elena_tochilina@mail.ru
ORCID iD: 0000-0003-3779-7394

Cand. Sci. (fil.), Senior Researcher of the Department of Russian Literature

Belarus, 4, Nezavisimosti Avenue (Prospekt), Minsk, 220030, Republic of Belarus

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