The hero / protagonist and the recipient in the monodrama “The Death of Firs” by V. Levanov

In V. Levanov’s monodrama “The Death of Firs”, there is an increase in performatization characteristic of the contemporary drama. The character deduced by V. Levanov is linked by an intertextual thread with the works of Chekhov and transforms into a complex personality, whose identity is revealed through a detailed monologue statement. In order to highlight the characteristic features of the recipient and the character in V. Levanov’s monodrama, it is necessary to take into account the performative potential of the text and its influence on the transformation of these categories in the monodrama. Thus, the recipient of the monodrama becomes an accomplice of the communicative act according to the principle of total involvement, and the theatrical enactment of the monologue action is deliberately highlighted by the structure of the text. In this regard, it is necessary to reconsider the influence of the position of the such a subject on the receptive potential of the reader / viewer. Taking into account the monodrama’s orientation to the extremely “personal”, the loss / search of identity by the character significantly affects the reduction of the distance between the word and the action, the hero / protagonist and the recipient. The purpose of this article is to comprehend the key categories of the character and the recipient for the monodrama on the material of the play “Death of Firs” in the context of the peculiarities of the monodramatic compositional speech construction. For this purpose, the authors refer to the works of M. Lipovetsky, S. Lavlinsky, E. Davydova, A. Pavlov and others. Meanwhile, the researchers have repeatedly examined V. Levanov’s monodrama from the point of view of the anthropological characteristics of the hero / protagonist and the specifics of the narrative organization of the text. In this study, we first attempted to analyze V. Levanov’s play “The Death of Firs” from the point of view of theoretical poetics and a receptive-aesthetic approach.