GERMAN LANGUAGE NOVEL OF 1990–2000: THE WAR AS AN EXISTENTIAL «OTHER»
- Authors: Kuchumova G.V.1
-
Affiliations:
- Samara National Research University
- Issue: Vol 22, No 3.1 (2016)
- Pages: 93-101
- Section: Articles
- URL: https://journals.ssau.ru/hpp/article/view/4284
- DOI: https://doi.org/10.18287/2542-0445-2016-22-3.1-93-101
- ID: 4284
Cite item
Full Text
Abstract
The modern literature notes an increased interest to the war as an
existential «Other», that reflects the needs of a modern man to test the
human spirit. The purpose of the article is to show, that in the situation
of the deficit of the «Other», the German language novel of 1990–
2000 searches for the existential «Other», using a postmodern aesthetic
and new forms of reconstruction of existential experience. The characters
of the novels desperately archive and collect signs of the war, insisting
that the war can be a metaphor to describe any extreme and tragic
experiences. This is illustrated in the novels by B. Schlink Der Vorleser,
K. Kracht Faserland, M. Bayer Flughunde, K. Ransmayr Morbus
Kitahara, E. Jelinek Kinder der Toten, K. Hacker Der Bademeister.
About the authors
G. V. Kuchumova
Samara National Research University
Author for correspondence.
Email: morenovsv@ssau.ru
ORCID iD: 0000-0002-1825-0097
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