The article is devoted to revealing features of the conception of the hero in the A. Volodin’s drama, on the basis of a special type of the existential dramatic conflict. Notwithstanding the fact that the basic material for discussion of the hero became works of the playwright of the end of the 1970 – beginning of the 1980 years, the understanding of this art phenomenon is revealed also in the context of dramaturgic searches of all the XX century.

About the authors

O. V. Zhurcheva

Samara State Social and Pedagogical University

Author for correspondence.
ORCID iD: 0000-0002-1825-0097
Russian Federation


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