BRECHT AND RUSSIAN «NARRATIVE EXPERIENCE»

Abstract


The article explores the question of relationship between the Brecht theory and the ideas of the so called “theatre narrative” created in Russian theatre in a parallel. The author introduces and examines the concept of “boundaries” between action and narration in drama and theatre.


About the authors

N. S. Skorokhod

St. Petersburg State University of Film and Television; Russian State Institute
of Performing Arts

Author for correspondence.
Email: morenov.sv@ssau.ru
ORCID iD: 0000-0002-1825-0097

Russian Federation

References

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  2. Szondi P. Theorie des modernen Dramas: 1880–1950. 18 Àufl. Franfurt am Main, 1987 [in German].
  3. Zingerman B. Ocherki istorii dramy XX veka [Studies on the history of XX century drama]. M.: Nauka, 1979, 392 p. [in Russian].
  4. Brecht B. Teatr: P’esy. Stat’i. Vyskazyvaniia: V 5 t. T. 5/2 [Theatre: Plays. Articles. Statements: In 5 Vols. Vol. 5/2]. M.: Iskusstvo, 1965 [in Russian].
  5. Belyaev Yu. D. Stat’i o teatre [Articles on the theater]. SPb.: Giperion, 2003, 432 p. [in Russian].
  6. Nemirovich-Danchenko V.I. On actor’s creative work. M.: Iskusstvo, 1984, 623 p. [in Russian].
  7. MKhT v russkoi teatral’noi kritike: 1907-1917 [Moscow Art Theatre in Russian drama criticism: 1907–1917]. Compliers O.A. Radishcheva, E.A. Shingareva; introductory words to seasons and notes by O.A. Radishcheva. M.: Artist. Rezhisser. Teatr., 2007, 878 p. [in Russian].
  8. Rudnicki K.L. Proza i stsena [Prose adaptation on the stage]. M., Znanie, 1981, 111 p. [in Russian].
  9. Bilinkis Ja. Roman Tolstogo: spektakl’, fil’m [Tolstoy’s novel: the play and the film] in Teatr i dramaturgiia [Theatre and drama]. L.: LGITMiK, 1971, Issue 3, pp. 206–222 [in Russian].
  10. Skorokhod N.S. Kak instsenirovat’ prozu: Proza na russkoi stsene. Istoriia. Teoriia. Praktika [How to adapt prose for the stage. History. Theory. Practice]. Spb.: Peterburgskii teatral’nyi zhurnal, 2010, 344 p. [in Russian].

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