The article explores the question of relationship between the Brecht theory and the ideas of the so called “theatre narrative” created in Russian theatre in a parallel. The author introduces and examines the concept of “boundaries” between action and narration in drama and theatre.

About the authors

N. S. Skorokhod

St. Petersburg State University of Film and Television; Russian State Institute
of Performing Arts

Author for correspondence.
ORCID iD: 0000-0002-1825-0097

Russian Federation


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