The poetics of the farce as the basis of the integrity of the artistic world of M.A. Bulgakov (review of the monograph Golovchiner V.E., Vesnina T.L. “The comic in M. Bulgakov’s plays of the 1920s.”)
- Authors: Tyutelova L.1
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Affiliations:
- Samara National Research University, Samara, Russian Federation
- Issue: Vol 1, No 4 (2021)
- Pages: 114-116
- Section: REVIWES
- URL: https://journals.ssau.ru/semiotic/article/view/10176
- DOI: https://doi.org/10.18287/2782-2966-2021-1-4-114-116
- ID: 10176
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Abstract
The review is devoted to the monograph by V.E. Golovchiner and T.L. Vesnina “Comic in
M. Bulgakov’s plays of the 1920s”. The author comes to the conclusion that the book reveals the role of farcical poetics in the artistic world of M.A. Bulgakov and proves the effectiveness of working with farcical poetics in the studies of Russian drama of the 1920s.
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About the authors
Larisa Tyutelova
Samara National Research University, Samara, Russian Federation
Author for correspondence.
Email: largenn@mail.ru
ORCID iD: 0000-0002-1378-2676
https://ssau.ru/staff/519466-tyutelova-larisa-gennadevna
Dr. philol. habil., Associate Professor
Russian Federation, 34, Moskovskoye Shosse (St.), Samara, 443086, Russian FederationReferences
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