The article is devoted to the specifics of relationship to thing and material world in the works of poets and writers of three generations of Russian avant-garde writers. Transformation of avant-garde thing from futurist subject, resisting the impact of culture – in oberiut’s nonsemiotic body and conceptualist’s household object is traced.

About the authors

T. V. Kazarina

Samara State University

Author for correspondence.
ORCID iD: 0000-0002-1825-0097


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