PROBLEM OF ACTION IN THE NEWEST DRAMA (VADIM LEVANOV «ROMANCE WITH ONEGIN»)


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Abstract

In the article the problem of dramatic action is settled on the basis of considering the question of interaction of novel and drama. As the material for research a drama with a novel plot is used. It uncovers specifics of the author’s work with the hero and the event and allows to name the main principals of development of dramatic action in the late 20th century’s drama.

About the authors

L. G. Tutelova

Samara State University

Author for correspondence.
Email: morenov.sv@ssau.ru
ORCID iD: 0000-0002-1825-0097
Russian Federation

References

  1. Goethe J.-W.; Schiller F. Correspondence in 2 Vols. M.: Iskusstvo, 1988. Vol. 1. Prolusion by A.A. Anikst; translation and comments by E.I. Babanova. 540 p. [in Russian].
  2. Plana M. Le roman comme recours et modèle: genèse d’une réforme du drame au tournant des XVIII et XIX-e siècles. L’Annuaire théâtral: revue québécoise d’études théâtrales, 2003, no. 33, pp. 31–45 [in French].
  3. Levanov V. Romance with Onegin. Retrieved from: http://www.theatre-library.ru/authors/l/levanov (accessed July 23, 2015) [in Russian].
  4. Lipovetsky M. Performances of violence: ‘new drama’ and the limits of literary studies. Novoe literaturnoe obozrenie [New literary review], 2008, no. 89, pp. 192–200 [in Russian].

Copyright (c) 2015 Tutelova L.G.

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