PERFORMATIVITY OF THE «NEW DRAMA» (YURI KLAVDIEV «MONOTEIST»)


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Abstract

The article is devoted to the viewing of the category of performativity of the texts of New Drama. The aim of the research is the study of the historical aspect of performativity — «interested selfrepresentation» on the example of the drama texts by Pavel Pryazhko, Ivan Vyrypaev and Yuri Klavdiev.

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M.I. Sizova

Saint Petersburg State Theatre Arts Academy

Author for correspondence.
Email: morenov.sv@ssau.ru

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Copyright (c) 2011 Sizova M.

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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